International Symposium on Temporal Design
September 14-15, 2017
Bologna (Italy)
The International Symposium on Temporal Design, held every two years, is an international forum for researchers interested in the Temporal Design Theory. It aims at going beyond the traditional design concepts, primarily concerned with issues of spatial design only, taking into account the temporal dimension of life too. This brings to a better blending of natural activities and human rhythms. To achieve "temporal design" one must approach design problems with knowledge of the "temporal dynamism" of the interactions between human creativity and its effects on the natural environment, and between human activities and built and natural environment. In particular, cultural development may favour a lifestyle pattern that does not attempt to go against the forces of nature. It is invaluable the contribution that this approach can give to architecture, engineering, pedagogy, psychology, and many other disciplines.
Abstract (500 words)
Symposium in Bologna
Full paper (peer reviewed)
18:00-20:00 Early registration and welcome cocktail
8:30 Registration
9.30 Yoichi Ando (Kobe University, Japan): Maximizing preference and minimizing stress of life
10.00 Alessandro Cocchi (DIN University of Bologna, Italy): From Felsina to Bologna: historical development and temporal design
10.50 Yoichi Ando (Kobe University, Japan): Stress and preference factors determining the dialysis introduction age
11.10 Sergio Luzzi (Vie en.ro.se. Ingegneria, Firenze, Italy) et al.: Acoustics and global comfort in the habitat of Anthropocene
11.30 Giuseppe Salamone (Studio Salamone, Pistoia, Italy): The holistic approach to habitat design
11.50 Luigi Bartolomei (DA University of Bologna, Italy): The silence of cemeteries, the silence of landscape
14.00 Elvira Di Bona (The Van Leer Jerusalem Institute, Israel): The Rich View of Auditory Experience
14.30 Vincenzo Santarcangelo (Politecnico di Torino, Italy): Auditory Objects: a new way to define old things
14.50 Lapo Boschi (Universite Pierre et Marie Curie, Paris) et al.: On the perception of audified seismic data
15.10 Vincent Meelberg (Radboud University Nijmegen, the Netherlands): Sound to Support Medicine: Designing Hospital Auditory Environments
15.30 Gilles Barberis (L'immagine Ritrovata, Bologna, Italy): An historical and technological journey to multichannel sound for film
15.50 Franz Policardi (University of Ljubljana, Slovenia): The use of spherical and pseudospherical microphones in high quality sound recordings
Alice Gaddi: Preserving memory. The reclamation project for the old Cinema Savoia in San Giacomo delle Segnate
Lucia Di Leva: Study of comfort level of historical heating system and development of not invasive systems for the improvement of the comfort level of existing dwellings
Maria Giuditta Nerla: Composite technology for an innovative student’s pavilion: energy, daylight analysis and a new concept of sustainability
Sofia Nannini: Maurizio Sacripanti's Theater in Motion (1964--1965). The Organization of Time and Space
Elena Rossi: Improving working comfort in an open plan office
Federico Santangelo, Antonella Parlapiano: Podestà Hall, a sound renovation
16.30 Giovanni Brambilla (CNR-Institute of Acoustics and Sensors ``O.M. Corbino'', Rome, Italy) et al.: The perceived quality of soundscape in the archeological area of ``Foro Romano'' in Rome
16.50 Cristina Calleri (DAD Politecnico di Torino, Turin, Italy) et al.: On the influence of soundscape and lightscape design of public spaces on safety and social presence perception
17.10 Enrico Reatti (Acoustic consultant, S. Pietro in Casale (BO), Italy): Expeditious and diffuse city noise mapping method on light zero emission vehicles
17.30 Marcel Cobussen (Academy of Creative and Performing Arts, Leiden University, The Nederlands): Adding Complexity to Current Sound Studies on Public Urban Spaces
17.50 Alessia Milo, Joshua D. Reiss (Media and Arts Technology Lab., Queen Mary University, London, UK):Eliciting acoustic design thinking with soundwalks and an interactive textile sonic map
8:30 Registration
9.00 Valentina A. Girelli (DICAM University of Bologna, Italy): The modern 3D digital geomatic techniques and their potential for the acoustic modeling
9.30 Riccardo Wanke (CESEM University ‘Nova’ of Lisbon, Portugal): A study of perceptual assessments of sound in current experimental music genres
9.50 Ken Ito (Tokyo University, Japan): Dynamical Fundamentals of Music Thinking beyond d'Alembert Statics
10.10 Marcellino Garau (Accademia di Belle Arti di Sassari, Italy) and Michele Congiu (Engineer, Quartu S.Elena, Italy) : Scores of architecture
10.50 Ryota Shimokura (Shimane University, Japan): Problem-solving researches on hearing aid
11.10 Nicola Prodi (University of Ferrara, Italy): Using time in the evaluation of effortful speech recognition
11.30 Federica Morandi (DIN University of Bologna, Italy) et al.: Envelope extraction for early decay estimation: a subjective survey
11.50 Leonardo Gabrielli (DII Marche Polytechnic University, Ancona, Italy): The recent shift in Machine Hearing: from Engineered Features to Time-Domain Raw Audio Processing
12.10 Jin Yong Jeon (Hanyang University, Seoul, Korea): ACF-based scream classification for detecting hazardous situations
12.30 Anna Rovigatti (DIN University of Bologna, Italy): MIMO auralisations of Comunale Theatre in Bologna
14.00 Andrea Prato(INRiM, Turin, Italy): Low frequency noise: an overview of laboratory investigations on human perception and building acoustics measurements
14.30 Lorenzo Rizzi (Suonoevita Ingegneria, Lecco, Italy) et al.: Measurement of reverberation times against modal decay times in an empty bedroom
14.50 Donato Masci (Studio Sound Service sas, Impruneta, Italy): Low Frequency Analysis for recording studio design
15.10 Brian Hamilton (University of Edinburgh, UK): FDTD simulation of room acoustics: recent developments and application to auralisation of Italian opera house
15.30 Roberto Magalotti (B&C Speakers, Bagno a Ripoli, Italy): Designing for Stability in Low-Frequency Loudspeaker Drivers
15.50 Ken Ito (University of Tokyo, Japan): Several Characteristics of film speakers
16.30 Serafino Di Rosario (BDP, London, UK), Sergio Pone (University of Naples, Italy) et al. : ReS, Resonant String Shell, latest development in the design of an acoustic shell for outdoor concert
17.00 Marcello Brugola (Studio di Ingegneria M. Brugola, Lissone -- Milan, Italy): The UniCredit Pavillon
17.20 Valentina Silingardi (DII University of Padua, Padua, Italy) et al.: A restoration based on the result of a public debate: the case of Civic Theater of Schio
17.40 Lorenzo Rattini (Acoustical consultant, Bologna, Italy) et al.: A survey of music venues designed in Bologna, UNESCO Creative City of Music
18.00 Linda Parati (Convenor of the UNI 11532 working group, Acoustical Consultant, Crema, Italy) et al. : The Italian Technical Standard UNI 11532
18.20 Giulia Fratoni (DIN University of Bologna, Bologna, Italy) et al. : Improving the intelligibility of a heritage-constrained university room using both acoustic treatment and line arrays
A student competition will be held during the symposium. Entries may be submitted by individual students or teams of a maximum of three students in the fields of acoustics, light design, thermal comfort, sustainability. Undergraduate and graduate students are encouraged to participate. Entries shall be poster presentations. The submitted designs will be judged by a panel of consultants, researchers, and educators in associated fields. A 200 Eur prize and the refunds of the participation fees will be awarded to the first honors entry.
Selected papers will be published in special issues of the Journal of Temporal Design in Architecture and Environment and in the Official Journal of the Italian Acoustical Association (RIA).
€ 300 (before July 10, 2017)
€ 350 (after July 11, 2017)
€ 150 (before July 10, 2017)
€ 175 (after July 11, 2017)
€ 100 (before July 10, 2017)
€ 125 (after July 11, 2017)
€ 100 (before July 10, 2017)
€ 125 (after July 11, 2017)
All presentations must be in English. There are no simultaneous translation facilities. Please prepare presentation in 16:9 format and feel free to use your preferred template. MacBook (with keynote) and a Win laptop (with Power point) will be available on the room. We recommend you to save your PowerPoint / Keynote presentation on a USB stick. Please check in advance their compatibility. Please adhere strictly to the 20 minutes allocated to your presentation. Plan for a 15 minutes presentation followed by 5 minutes for discussion). Follow any additional instructions given by your session chairpersons.
A technician is assigned to room and is in charge of the smooth running of your session. This person will be in the back of the session room and is at your disposal. Please feel free to introduce yourself and inquire about anything you might need. Please be in the session room and ready at least 20 minutes before the scheduled starting time of the session in order to meet the chairperson(s). In the session room, you will find a laptop, where you can see your presentation during your lecture. There are a number of stand-up microphones in each session room to facilitate the discussion.
Poster authors are requested to be present in their poster during the session (16.10 – 16.30). Size of poster board (usable space): 100 cm wide and 140 cm high (vertical). Please use a clear typeface.
Templates for manuscript preparation are available in Word and Latex format. Please download the file template.zip
Comunale Theatre (Foyer Rossini)
Largo Respighi, 1 - Bologna
Piazza Maggiore is the ancient heart of Bologna. Its medieval
buildings, witnesses of its vibrant public life and intense
economic activity, combine with the latest functional places,
while retaining their charm. A network of unique porticoes
streets, that make the city unique, branches off from here. The
porticos of Bologna, candidate for UNESCO world heritage,
stretch out from the city center over 40 kilometers.
Walking under the porticos, protected from the sun and the
rain, it is possible to reach easily many important museums,
galleries and religious buildings, which hold an unexpected
patrimony of works of art. The University of Bologna is the
oldest in Europe. The evidence of its prestigious history is
spread out in many city places not to be missed. A completely
unexpected surprise are the canals that date back to the
twelfth century.
More at www.bolognawelcome.com
Bologna is connected by flight to the most important international airports. Bologna international airport is close to the city center.
www.bologna-airport.it
Bologna is connected by high-speed trains to the most important Italian cities (1 h from Milan, 2 h from Rome, 1 h from Venice, 0.5 h from Florence)
www.trenitalia.com
www.italotreno.com
We got from some Hotels in the city centre special prices for the congress attendees. In some cases the price doesn’t include the tourist tax (2-5 € per person each night). Please specify the code “ISTD” when you book the room. Due to low availability during the symposium days, we suggest to book yor room as soon is possible.
G. H. Majestic *****L
Via dell’Indipendenza, 8
bookingghmajestic@duetorrihotels.com
Single room € 250, twin or double € 330
Art Hotel Dei Commercianti ****
Via Dè Pignattari, 11
arthotels.staff@inbo.it
Single room € 116, twin or double € 156
Best Western Hotel San Donato ****
Via Zamboni, 16
info@hotelsandonato.it
Single room € 99, twin or double € 134
Hotel Metropolitan ***
via dell'Orso 6
booking@hotelmetropolitan.com
single room €90, twin or double € 120
Hotel Roma ***
via Massimo D’Azeglio 9
prenotazioni@hotelroma.biz
single room € 92, twin or double € 144
Hotel Palace Bologna ***
via Monte Grappa 9/2
info@hotelpalacebologna.com
Single room € 55, twin or double € 75
Jointly organized by the Italian Acoustics association (AIA) and the Acoustics Research Team of DIN, University of Bologna
Prof. Em. Yoichi Ando (Honorary President)
Kobe University, Japan
Massimo Garai (Chair)
University of Bologna, Italy
massimo.garai@unibo.it
Dario D'Orazio (Co-Chair)
University of Bologna, Italy
dario.dorazio@unibo.it
Arianna Astolfi
Turin Polytechnic, Italy
Alejandro Bidondo
UNTREF Buenos Aires, Argentina
Chiung Yao Chen
Chaoyang University of Technology, Taiwan
Alessandro Cocchi
University of Bologna, Italy
Mario Cognini
Verona, Italy
Antonino Di Bella
University of Padua, Italy
Shigekazu Ishihara
Hiroshima International University, Japan
Ken Ito
University of Tokyo, Japan
Jian Kang
University of Sheffield, UK
Roberto Pompoli
University of Ferrara, Italy
Nicola Prodi
University of Ferrara, Italy
Takashi Yano
Kumamoto University, Japan
Massimo Garai, Dario D’Orazio, Giovanni Semprini, Luca Barbaresi, Paolo Guidorzi, Simona De Cesaris, Federica Morandi